Showing posts with label Scott Westerfeld. Show all posts
Showing posts with label Scott Westerfeld. Show all posts

Thursday, July 19, 2012

Peeps and the Last Days by Scott Westerfeld

The Peeps Series by Scott Westerfeld includes only two novels, Peeps and it's sequel The Last Days. However, even though The Last Days takes place after Peeps it features a brand new cast of characters so I've decided to once again combine my reviews of these two novels while providing no spoilers for either.

Peeps, which I actually listened to on audio book, is told from perspective of Cal Thompson, a guy who should be busy with freshman biology but instead he's chasing down lunatic ex-girlfriends. Ever since Cal was seduced and infected by a parasite-positive, he's been a carrier for the disease, passing it on to the girls he's kissed. Cal himself is lucky enough to only have minimal side effects, like superb nigh vision, inhuman strength, and a fondness for raw meat. Peeps, like Cal's ex-girlfriends, undergo a much more extreme change, one that leaves them with an awful similarity to vampires.

I really enjoyed Cal's voice in Peeps and not just because I was listening to it on audio! He's a charming narrator, Southern and well-meaning, and I really wanted things to work out for him. Like all of Westerfeld's books, I found the storyline really engaging and unique but there was an element I found unnecessary and distracting. The chapters of Peeps alternate between Cal's story, and short ones that discuss various real parasites. At first the non-fiction bits were interesting, but there were so many of them that I felt it dragged down the story. Maybe one every few chapters would have sufficed, but when there was one after every chapter it really took me out of the story I was starting to become involved in, and ended up feeling abrupt.

Despite my complaint about the fact-heavy chapters, Peeps was a novel I enjoyed, and definitely the most intelligent vampire novel I've read. Not only is Westerfeld's writing smart, but his characters are too, which is always refreshing to read. That said, they aren't perfect, and that's part of what makes them, especially Cal, so charming.

As I said, the companion book, or sequel, The Last Days, features an entirely new cast of characters, though a few familiar faces show up near the end. As much as Peeps is a science novel, The Last Days is a music novel, as all five of its narrators are in a band together. And yes, I said five narrators. Generally, I dislike novels with more on than two narrators, but I admit that Westerfeld makes each character distinctive, and balances their stories well enough, that I didn't mind the fact that there were five points-of-view in The Last Days.

Unfortunately, even though I appreciated that the story wasn't interrupted with non-fiction chapters, I didn't find The Last Days quite as engaging as Peeps. Having learned the intriguing background of the disease in the first novel, I was mainly left to focus on the story itself. In comparison to the massive stakes of Peeps, all the characters in The Last Days really want, for most of the novel, is to get famous. And it wasn't really a goal I could find a lot of enthusiasm for.

The Last Days does offer answers to some lingering questions from Peeps but even those don't come till near the end. The rest of the story was based around characters I didn't really care for, the drummer Alana Ray was kinda interesting and definitely unique, the keyboardist Pearl had some moments, but one character is infected and pretty crazy and the other two feels mostly like throw-aways. Perhaps I can blame my lack of connection with them on the fact that I spent so little time in each of their heads, but none of them kept my interest the way that Cal did in Peeps.

This mini series– does two books count?– has a unique and interesting premise, one that I definitely enjoyed being introduced to in Peeps. Unfortunately, while The Last Days does fill in some blanks in Peeps the storyline and the characters weren't nearly as engaging to me. Unless a reader is desperate for answers, I'd recommend just reading Peeps as a standalone, because I think it works really well that way. Overall, I'd have to say that while Peeps is my least favourite of the three Westerfeld series I've read, falling behind Uglies and Midnighters, it still has that intelligent and creative Westerfeld flare that I love. Though I won't be rereading this one, I'll definitely be trying another series by Westerfeld in the future.

Saturday, December 31, 2011

Uglies Series by Scott Westerfeld

I fell in love with YA dystopia after reading The Hunger Games, but as trend-setting as that novel was, it was certainly not the first and I often heard reference to the Uglies Series by Scott Westerfeld. After enjoying my first experience with Westerfeld's writing when I listened to his Midnighters Series on audiobook, I decided to finally pick up the series I'd been meaning to read for the last year. Although I owned the set in paperback, Westerfeld's books definitely make for exciting audio and that is how I experienced them. Like I usually do when reviewing a series at once, these mini reviews will avoid any spoilers for any of the books which means I won't refer to specifics for the latter books.

The first book in the trilogy (+one, since the final book was added later and features mainly different characters) is Uglies. It begins with Tally, a girl whose life is about to change- she's nearly sixteen and on her birthday she'll finally get the chance to turn Pretty. Once she does, she'll get to live in another city full of people who have been turned gorgeous through surgical operations, and Tally will be one of them. While waiting anxiously for that moment (after all, her best friend is already on the other side) Tally becomes friends with Shay. Only Shay isn't quite so sure that being Pretty is everything Tally believes it to be, and when Shay runs away rather than face the operation the authorities leave her with one choice: find Shay and turn her in, or she will stay an Ugly forever.

Uglies was a great introduction to this series, and I was instantly impressed by the creativity and genius of Westerfeld again. While the Midnighters books were strict science fiction, this series is dystopia, and he is just as brilliant in this genre as he was in the former. One of the things I loved about Tally was how she didn't start off aware of all the issues in her world, she was completely excited about turning Pretty, just like most people would be, and it was only over time that she realized that it might not be quite the paradise she has been lead to believe. Tally is a relateable everygir.

I also enjoyed her complex relationship with Shay. For me that was the biggest difference between these books and Midnighters- that I actually enjoyed and rooted for the characters whereas in my first try with Westerfeld I often found them unlikable and so I was definitely a fan of the voice in these first three books despite not at all enjoying the narrator of the audio books I listened to, who sounded a bit stoned or tired in a way that occasionally made me disconnect from the stories.  

After the intensity of Uglies I had high hopes for the sequel, Pretties, and this was shockingly one of those series where the second book actually gets better. It is such an original and riveting look into the genius and complexity of the world Westerfeld has created and really provides an opportunity to get to know it better. Not only does the book answer the questions I'd had lingering from Uglies, but Pretties proves just how easy it can be to change a person in a way that is eerie in its realism. It didn't hurt that it also introduced my favourite character in the series, the absolutely charming Zane.

Tally's final adventure comes in Specials, and although it didn't quite live up to Pretties it was infinitely better than Blue Noon the final book in the Midnighters' Series. It is refreshing to know that Westerfeld can infact write an ending that doesn't make me want to throw the book across the room (although then he goes and doesn't leave it alone by writing an entirely unplanned fourth book in this "trilogy").

Specials was even creepier than Pretties and it is definitely a bleak book. The use of cutting made me a bit uncomfortable at times and it is probably not a novel for those who are concerned by triggers. I guess with all the originality that Westerfeld shows in creating these worlds, I would have hoped for something a little more innovating than cutting to be used in the book. There are many strong parallels in the novels between Tally's World and Our World, but unfortunately cutting didn't work for me that way. My other issue with the book was that Tally's relationship choice felt more out of default than love, but overall Specials was a delightfully creepy story and a perfect conclusion to an original and ground-breaking series. 

Only it wasn't the conclusion, because Westerfeld went and wrote a fourth novel, Extras, which features an entirely different protagonist several years later. Now the problem with the book is that viewed as a continuation of the Uglies Series, it was a let down. But viewed as a standalone Extras works much better. That because so much has changed since Specials ended it really felt like a different world and the transition was a bit awkward for me. I also didn't love the new set of characters nearly as much as the old ones, though it was great to see some familiar faces eventually and find out what they had been up to.

Ultimately, the Uglies Series is an exciting, page-turning, innovative one and I can fully understand why it was such a trend-setter.  Although Westerfeld's characters can be hit or miss for me, I did enjoy the main set featured in the first three books and the changes they went through. As a conclusion to the series, Extras was lacklustre, but it did provide an interesting storyline on its own. Overall, Westerfeld has an amazing and brilliant mind, and he has only left me wanting to read more of his books. Having read seven novels by him in 2011, I'm excited that there are still many more for me to pick up in 2012.

Wednesday, November 30, 2011

Midnighters Trilogy by Scott Westerfeld

The Midnighters Trilogy by Scott Westerfeld includes The Secret Hour, Touching Darkness, and Blue Noon. As I occasionally do on this blog I've decided to combine my reviews of these books into one post, sharing thoughts general enough that they will avoid spoilers for any of the novels.

Over the last year or two, Scott Westerfeld has been one of those authors I always intend to read and yet never managed to pick up. So when I was in need of a new audiobook I decided it was the perfect time to test out his Midnighters Trilogy and experience his writing firsthand. I already owned the Uglies Series but I needed a break from dystopia and the creepy premise of The Secret Hour caught my eye.

The Midnighters Trilogy takes place in Bixby, Oklahoma, a place where every evening at midnight the town belongs to the dark creatures that haunt the shadows. Only a few people, who call themselves the Midnighters, know about this secret hour and are free to move around during it when the rest of the world is frozen. Each of them has their own special power which is strongest during the secret hour, and each of them has one thing in common: they were born at exactly midnight. When The Secret Hour begins Jessica Day has just moved to Bixby and immediately Rex, the seer of the group, recognizes the midnight aura on her. However, it soon becomes clear that Jessica is not an ordinary Midnighter and something about her scares the dark creatures very much, and they will do anything to stop her before she can figure out what exactly her special power is. 

The entire series, but especially The Secret Hour is driven far more by plot than character development. In many cases I would have found this frustrating, but Westerfeld is so imaginative in his world-building that I instead found myself appreciating the story he had created even if most of the characters were either unlikable or simply boring when it came to their personalities. That said, there are definitely moments, like when Jessica first discovers the secret hour, that are beautiful in their dreamlike qualities.

The second Midnighters book, Touching Darkness, wasn't quite as awe-inspiring as the first for me, I still enjoyed it but having gotten familiar with the world and characters in the first book, this one felt a lot less meaty in comparison. I did like the storyline, but there was more romance in this book than The Secret Hour and I didn't connect with it as well as I hoped. Touching Darkness delves deeper into the interpersonal relationships between the Midnighters and so readers who appreciate that component of a story may actually prefer this novel to its prequel. My own problem was that I think it is actually the characters I have issues with, I don't like any of them, except maybe Jessica a bit, and while that didn't bother me in the first book they seemed to get increasingly whiny in this one.

Where Westerfeld really excels is with the history and myth behind the Midnighters, of which there is plenty but ultimately, I found the main storyline of Touching Darkness certainly kept my attention better than the subplots.

The final book in the Midnighters trilogy is Blue Noon, and I can definitely tell you that if this had been my first book by Westerfeld I doubt I would have picked up any subsequent novels. That's because it seems as if the book goes for shock rather than coherence. I don't need every little piece of the story tied up for me but a big twist is thrown into the mix near the very end of a Trilogy only to have it leave the characters all sorta just floating, and after so much time with them I really wanted more closure. To be honest, I feel like the way things ended in Blue Noon was really more annoying than surprising, because it was really a case where I was left going really? However, while it could be argued that at least it got a reaction out of me I'd still have preferred a positive one. 

Ultimately I'm glad I read the Midnighters Trilogy. Westerfeld has created an incredible and unique world, and I am amazed to have gotten a small glimpse into his complex mind. This trilogy definitely left me wanting to try other books by Westerfeld, but as much as I enjoyed The Secret Hour in particular, I remain skeptical of his ability to wrap up a series in a way that doesn't make me want to throw the book across the room.

The Secret Hour: 
Release Date: February 19th, 2004         Pages: 304
Source: Audiobook                                  Buy the Book
Touching Darkness:
Release Date: March 1st, 2005               Pages: 336
Source: Audiobook                                  Buy the Book
Blue Noon:
Release Date: February 28th, 2006         Pages: 352
Source: Audiobook                                   Buy the Book